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A Conversation with Ann Weber: Enough, Not Enough Sometime not so long after this magazine had been launched, I remember a conversation I had with Ann Weber. I knew her work, but if we’d actually met, the word acquaintance would suffice. The conversation began well, and quickly became quite friendly. In recollection, I was surprised by its warmth and can remember feeling emboldened. Before long a proposal was put forth—by whom, I don’t recall, but I suspect it was Ann. “Why don’t we begin a series of dinners with artists? We’d each invite two or three artists. It could be at my studio and I’d do ... Oct 15, 2017, 2777 reads


 

James Hajicek: To Fall in Darkness: Gifts of Suffering/Gifts of Rejoicing Contributing editor Jane Rosen brought the photography of James Hajicek to my attention. The work made a strong impression with its mysterious quality, evocative of an intersection in the world of night where elements of the solid world meet spirit, a place of the unconscious where one can imagine transformation.      In a note to me, Hajicek wrote that this work came at a time "in the middle of my life when one has to face everything that one has previously engaged in (and believed in) and realizes one has essentially been lost, wandering aimlessly, or at best just ... Jun 4, 2001, 11373 reads


 

A Conversation with Eliza Ramos: Into the Real I met Eliza Ramos at a ServiceSpace circle of sharing for individuals involved in healthcare. I sat in on the circle because I knew that each person I’d meet that afternoon would be doing inspiring work. I was already aware of two of the people who would be there: Dr. William Stewart, co-founder of San Francisco’s Institute for Health and Healing and author of Deep Medicine, and Dr. Grace Dammann who had been so involved working with AIDs patients before anything was known about the disease. Years later, against all odds, Dammann survived a horrific auto accident and has ... Apr 4, 2018, 8808 reads


 

Upward Mobility: Timothy grew up on the wrong side of the railroad tracks; he lived on the West side, which was the wrong side of town because it was where the prevailing winds dumped the black sooty smoke of passing locomotives. The way the wind blew also determined certain prevailing socio-economic attitudes: there were the clean, country-clubbing, martini-sipping High Caucasians on the East side, and the dirty lot of beer-guzzling fist-fighting mongrels breaking chairs over heads at the Blue Goose Tavern on the West side.   On the West side, the railroads directly affected daily life. On Monday, ... Jul 7, 2012, 2733 reads


 

Interview with SaÏd Nuseibeh: The Bond of Mystical Beauty One afternoon I got a call from DeWitt Cheng - there was some interesting work at the Scott Nichols Gallery—photography by Saïd Nuseibeh. A few days later I went over to see for myself. DeWitt was right. Nichols was there and I asked him how to contact the photographer. He picked up a phone, dialed a number and handed me the receiver. Nuseibeh was on the other end. A week later I found myself standing outside Nuseibeh’s front door high in the inner Sunset District of San Francisco. It was foggy and there was a chill in the air. We'd already met a couple of days ... Aug 1, 2005, 39452 reads


 

East and West: The Work of Jane Rosen Two years ago, Jane Rosen resigned her teaching position as a member of the art faculty at the Univer-sity of California at Berkeley. Her decision surprised me. She was a popular teacher and her drawing classes were always packed full. For a couple of years, Jane had mused about the possibility of giving drawing workshops, but it hadn’t seemed very concrete, and surely that was only a piece of the puzzle. I wondered what she would do.      Rosen grew up in New York City where, early on, she established important connections in the artworld. As her career began ... Dec 1, 2007, 4324 reads


 

Janine Brown: An Excerpt From An Artist's Journal: I These paintings are a road.  No, it is a road these paintings are on: the buying of the paper, the place to work, the drawing, the hanging up and the putting down, into the portfolio and out of the portfolio, a little more work, another trip to the art store; thinking: the painting or the road? The thing and the process: the gallery, the showing, the slides, the mats, the portfolio, the viewers, the comments.  Where, what is this road? The shapes, the forms, the colors, composition.  It is not a picture of the road. It is the road. Like life. It is not the breakfast, the ... Feb 10, 2009, 4561 reads


 

Give Back What Was So Clearly Given To Me: Conversation with Matthew Kowalski On June 26, an artist will hang 16 abstract paintings in a bustling downtown restaurant in Oakland, Calif., preparing for a one-man show. To passers-by, the scene probably will look routine. But the artist is Matthew Kowalski, and his story is anything but ordinary. Kowalski was a homeless drug addict and alcoholic who lived on the streets of San Francisco for 27 years, battling addiction and mental illness. At age 42, he decided to get sober and began the long journey toward recovery. Today, Kowalski, 54, is a certified addiction counselor and professional artist. He is healthy, sane, ... Jul 13, 2010, 6658 reads


 

Bhutan's Gross National Happines: A Conversation with Anne Muller I first met Anne Muller at one of greenmusuem.org’s planning meetings. It was a surprise since I hadn’t expected anyone outside our usual group. Anne Veh introduced Muller, telling us her friend had recently returned from a photographic project, something about “gross national happiness.” About what? My attention suddenly piqued. In fact, I felt a little disoriented. It happened that our meeting was being held at Leah Perlman’s Happiness Institute, a name I still wasn’t quite used to.      “Gross national happiness—did I ... Aug 15, 2012, 3814 reads


 

A Conversation with Jane Wodening: Doors of Perception Anne Veh told me about Jane Wodening. She told me Jane wrote about animals, about the intimate life of nature around her. That her writing was like no one else she knew of. Then she thought. "Well, maybe Barry Lopez." Anne spoke about Wodening with both fervor and reverence. She was planning to include Jane's books in a big exhibit at the diRosa in Napa, California. Maybe Jane would come out from Colorado. It turned out she did and I got to meet here at photographer Linda Conner’s home in San Anselmo. I remember being struck immediately by ... Aug 1, 2012, 10345 reads


 
 

A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 719451 views


The Dumpster      “We can’t use these. They look like ... Read More 139727 views


Cotton and Silk Vorbeck quilt, detail I’m working on the last panel of a pair of ... Read More 7567 views


A Conversation with Silas Hagerty I met Silas, a young man in his twenties from New England, at a servicespace.org ... Read More 59115 views


Remember to Remember - Nicholas Hlobeczy I had the pleasure of getting to know the late Nicholas Hlobeczy over a ... Read More 89225 views


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A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 719451 views


Interview with Bill Douglass—Jimbo's Bop City and Other Tales At the time I'd first gotten to know the widely respected jazz musician Bill ... Read More 362194 views


Greeting the Light It was thanks to artist Walter Gabrielson that I was able to get in touch with ... Read More 292716 views


Interview: Gail Needleman Gail Needleman teaches music at Holy Names University in Oakland, California. ... Read More 188637 views


Interview: Stephen De Staebler John Toki encouraged me to interview his old friend and mentor, sculptor Stephen ... Read More 150003 views


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