Interviewsand Articles

 

David Tomb's New Work

by Richard Whittaker, Nov 21, 2010


 

 


falcon, David Tomb



I first became aware of artist David Tomb thanks to his portraits some years ago. It was impossible not to recognize something special in them, even beyond the artist's formidable draftsmanship. In particular, the portraits of his favorite subject capture subtle states one recognizes immediately, most often subtle varieties of preoccupation with some unseen riddle—the state of having one's thoughts quietly elsewhere. Conveyed, too, is the strong sense that we, as viewers, look in on the subject caught unobserved in his pondering. These drawings have a quality hard to pin down, perhaps of a gentle and compassionate impartiality.
     Tomb's portraits got a fair amount of attention, especially here in the Bay Area, and so when I learned that he'd turned his attention to a new subject, birds, I was curious. What was behind his new direction?
     A phone call led to a studio visit. It was the second or third time we'd talked, and I was reminded once again just how enjoyable a visit with an artist in his or her studio can be. 
     What I remember is how Tomb explained that bird watching was one of his longstanding interests, something I can easily understand. Whenever a bird lands in the branches outside the window, aren't one's eyes attracted there immediately? Doesn't one fasten a keen focus with a kind of delight? It's one of those pleasures that never gets old. And often there's a special treat like the yellow flash of a goldfinch or the charm of a tiny chickadee.
     Tomb talked about the rekindling of his passion, and how it had carried him to the El Triunfo Biosphere Reserve in the Sierra Madre Mountains of Chiapas, Mexico. There, he saw, first-hand, an amazing variety of birds he'd never seen before. All in all, it's clear the artist has given himself over to an entirely new direction. 
     Listening to Tomb's enthusiastic descriptions raised my own spirits, too. But what about the art world? I wondered. Tomb's bird drawings have the look of accomplished illustrations. What happened to the offbeat stance, the conceptual conceit, or some other indication that the work was art?
     We both had a rueful laugh over this--a taste of freedom!  It seems Tomb isn't worrying about these questions. His drawings are born of enthusiasm in the old sense of the word, en theos.
     Listening to him talking elatedly of his experiences, I suddenly wondered if any of it arose from a concern for issues of the environment. Of course, the answer was emphatically, yes!
     Sixty percent of the cloud forests of Mexico have disappeared, he explained. With the protection of Triunfo Biosphere Reserve in Chiapas, at least some of Mexico's cloud forest is being preserved. Even the mythic quetzal can still be seen there, the bird venerated by the ancient Mayas and Aztecs as the God of the Air and associated, too, with the snake god Quetzalcoatl. They're not easy to find, even there, but Tomb had seen one himself.
     I don't remember his exact words about his new work, but "I feel completely refreshed" is pretty close.  
 

About the Author

Richard Whittaker is the founding editor of works & conversations and West Coast editor of Parabola magazine. 

 

A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 721463 views


The Dumpster      “We can’t use these. They look like ... Read More 141165 views


Cotton and Silk Vorbeck quilt, detail I’m working on the last panel of a pair of ... Read More 8381 views


Say Grace I am deeply delighted to live on a planet that is so big and varied that I can ... Read More 5536 views


A Conversation with Silas Hagerty I met Silas, a young man in his twenties from New England, at a servicespace.org ... Read More 61322 views


READ MORE >> 

A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 721463 views


Interview with Bill Douglass—Jimbo's Bop City and Other Tales At the time I'd first gotten to know the widely respected jazz musician Bill ... Read More 363675 views


Greeting the Light It was thanks to artist Walter Gabrielson that I was able to get in touch with ... Read More 294003 views


Interview: Gail Needleman Gail Needleman teaches music at Holy Names University in Oakland, California. ... Read More 189012 views


Interview: Stephen De Staebler John Toki encouraged me to interview his old friend and mentor, sculptor Stephen ... Read More 150418 views


READ MORE >>