Interviewsand Articles

 

On the Path to Watercolor Enlightenment
by David Harrison, Dec 14, 2014


 

 



Although it would be gratifying to call myself an artist, I tend instead to think of myself as a person who just likes to draw. In my teens I received instruction in painting with oils. Aside from that, I’m self-taught. I gave up oil painting in my twenties due to the cost of supplies. Naturally, my first watercolors were painted like oils with color used straight from the tube.
     The standard approach to painting landscapes in oil is to paint the sky and distant objects first, followed by the middle-ground and finally the foreground. Since working time is essentially unlimited and mistakes easily corrected, this process is soothing, almost therapeutic. But watercolor is different. Lights must be saved or painted first, then mid-values, then darks. Working time is limited and mistakes hard to fix. Consequently, more planning is required. Painting a watercolor is like playing chess. You have to think ahead, and yet still maintain enough awareness of your idea’s progress to recognize when, often unexpectedly, it has reached its peak.
     Working in watercolor has taught me that I’m impatient, often rushing disastrously ahead before washes are completely dry, compulsively given to adding unnecessary detail or sometimes overworking otherwise promising passages into pathetic mud puddles.
     Mixing color is a critical skill that every water-colorist must acquire. Work that appeals to me does so more often than not on the basis of bold and authoritative color. In my fantasy life I am able to flawlessly blend an infinite spectrum of living colors. My reality, unfortunately, is different. Every painting presents at least one situation that requires a color I have never mixed. The road to “nail-on-the’head,” real-time color mixing is paved with countless brave attempts.
     What’s important, though, is to keep trying, for if each sketch, sincerely attempted, brings us even one step closer to aquarelle enlightment, then we are better for the effort. And on that joyous trip home from the field in the gathering shadows of a summer’s day, with a “keeper” in your sketchbook, who can fault you for visioning the future grandeur of your achievement?
     In my dream I am wise and kind as I receive the Dalai Lama seeking guidance on the path to watercolor enlightenment. And I am prepared, as from the sleeve of my kimono I gracefully draw forth a delicate velum roll and pass it into his eager hand.

Zen of Watercolor Sketching
- Sketch every day
- Sketch from life, not from memory
- Decide the focal point before you begin
- Attend to composition
- Limit values
- Simplify
- Keep it loose, use a big brush
- Leave something undone to give the mind a chance
to play
- Add people to add interest
- Never give up
- Date and sign every sketch
- Remember, it’s only a sketch.   
 

About the Author

David Harrison paints watercolors and lives in New York.

 

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