CURRENTISSUE

 

Every issue is also published in print in more elegant form. To subscribe, please contact us.


Viola Frey headlines this issue. I challenge anyone to find a better interview of her. If it weren't for Viola, we could almost say this issue is devoted to remarkable artists who are not well known. But who really knew Frey? The interviews with Dickson Schneider and Terrance Meyer are treasures. And then we have the pleasure of tchotchkes, The Garden of Montini and a really odd collection of vases. Bringing intriguing stuff to readers that no one else can or will is one of our joys.

 

Issue# 4               February 2001

Viola Frey

Table of Contents

from the editor, Richard Whittaker

Viola Frey:
Reflections on the Artist and Her Work

A Conversation with Viola Frey:
Who Makes Originals, Ever?

J. Kathleen White
A Selection from Her Collection of Vases

A Conversation with Dickson Schneider
Looking for Something That Is True

Katina Huston
from the "Trust and Distrust Series"

Karen Haas, Tom Leddy
The Pleasures of Tchotchkes

Rue Harrison
The Jungle of Montini

Chester Arnold
Paintings

A Conversation with Terrance Meyer
"The Sound of One Hand Clapping"

Marcia Binnendyk
Drawings

Indigo Animal
Rue Harrison

Kathleen Cramer
Border Crossing

Coming Attractions

Society for the ReCognition of Art

 
 
 
Subscribe To Magazine >>
 


Archived Magazine Issues


"To be an artist is not a matter of making paintings or objects at all. What we are really dealing with is our state of consciousness and the shape of our perception... The act of art is a tool for extended consciousness." --Robert Irwin

 

READTHELATEST

Four Women Artists

Sep 5, 2025

Let me warn you that our four interviews - in this case, all women - is old-fashioned. These are long reads. Veteran subscribers wouldn’t expect anything less. On the other hand, if you’re a newcomer - as stalwarts avow over and over - the time invested in our interviews is well worth it. Read More


Sharing the Wealth

Friday, March 5, 2024

Each piece here stands in a circle of its own riches. Each piece speaks in some way to the question posed. The question is the most elusive, and yet the most fundamental one. Read More


+Recent Newsletters