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Our interview with the author of Guide, artist/quantum physicist Enrique Martinez Celaya anchors this issue. No artist I know of is more deeply thoughtful: "Only art for life's sake makes sense to me." And Richard Berger shares his meditation about the death of a homeless artist who lived under the San Francisco Art Institute, "To All Artists, Known and Unknown." Painter Erik d'Azevedo talks about his childhood among indigenous peoples in the U.S. and Africa. And Mary Rakow sets a new standard for art writing.

 

Issue# 9               October 2004

The Veil

Table of Contents

From the Editor

A Conversation with Enrique Martíz Celaya:
Self & Beyond Self

Mary Rakow: Looking for a Context for Enrique Martíz Celaya's Work

Patrice Wagner:
Recollections of a Curator

Robert Brady:
Portfolio-Sculpture

A Conversation with Erik d'Azevedo:
Culture Shock

Richard Berger:
To All Artists Known and Unknown

Walter Kennedy:
Portfolio-Photography

Kathleen Cramer:
Gold Diggers 2004

Unai San Martin:
Portfolio-Photogravure

Richard Whittaker:
Studio Visit, Prentiss Cole

From Readers: Fred Jones in Wales

Rue Harrison: Indigo Animal

Ronald Hobbs: Poem, The Lighting of Lamps

Letters

 
 
 
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"To be an artist is not a matter of making paintings or objects at all. What we are really dealing with is our state of consciousness and the shape of our perception... The act of art is a tool for extended consciousness." --Robert Irwin

 

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