Interviewsand Articles

 

Michael Light: One Hundred Suns

by Richard Whittaker, Nov 2, 2005


 

 

Just before this issue (w&c #11) was wrapped up, I learned about Light’s installation One Hundred Suns at the UC Berkeley campus: one hundred government photos of US nuclear tests from the years these were being conducted above ground. Printed on 3’ x 3’  squares of canvas and pegged into the ground, images of atomic fireballs stretched out for 345 feet along a walkway just north of UC’s main library. Because of the university’s unique relationship to the development of these weapons, the installation plays on a web of shadowy undertones, and standing there, I couldn’t quite understand how I felt about these beautiful images of destruction.
     The layers were too complex, and then there’s the inundation of charged imagery we all endure with its relentless manipulation of desire and its dissimulation. Standing there, I felt my distance from these images as I moved from one to the next. Yet these photos were not lies, not some corporate advertising strategy. These images were (and are) a call to consider what seems too large to consider - the reality of nuclear weapons and the danger of inconceivable destruction.
     Originally published as a limited-edition artist’s book, each photo is accompanied by text citing the particulars of each explosion, the type of weapon tested, its deployment, etc. As I moved along reading, what began to strike me was the small size of many of the weapons, all of them nuclear. The first atomic bombs were massive. “Little Boy,” dropped on Hiroshima, weighed 9,700 pounds and exploded with the destructive force of twelve and a half thousand tons of TNT.  But as I moved along reading, I noticed, for instance, “Hood,” which was detonated in July of 1957 with a force of 74,000 tons, six times that of “Little Boy.” Hood weighted 383 pounds. “Wheeler,” I read, was detonated September 6 1957, a 158-pound nuclear weapon. Eventually I came to “Little Feller” which, at a mere fifty pounds, was suitable for use by individual soldiers with shoulder-mounted rocket launchers. This was over forty years ago. According to Richard Rhodes, “a modern nuclear artillery shell packs the destructive force of the Hiroshima bomb.” One can’t help wondering what other “advances” have been made.

Many students were stopping while others paid no attention as they made their way to and from classes. I understood. Maybe it was just another assault in the media spectacle, or even another good cause competing for a share of mental territory. One thing was sure, stopping to look could not be comforting.—RW
  
 

About the Author

Richard Whittaker is the founding editor of works & conversations and West Coast editor of Parabola magazine. 

 

A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 721463 views


The Dumpster      “We can’t use these. They look like ... Read More 141165 views


Cotton and Silk Vorbeck quilt, detail I’m working on the last panel of a pair of ... Read More 8381 views


Say Grace I am deeply delighted to live on a planet that is so big and varied that I can ... Read More 5536 views


A Conversation with Silas Hagerty I met Silas, a young man in his twenties from New England, at a servicespace.org ... Read More 61325 views


READ MORE >> 

A Man Impossible to Classify One of my first experiences in San Francisco was of being flagged down by a ... Read More 721463 views


Interview with Bill Douglass—Jimbo's Bop City and Other Tales At the time I'd first gotten to know the widely respected jazz musician Bill ... Read More 363675 views


Greeting the Light It was thanks to artist Walter Gabrielson that I was able to get in touch with ... Read More 294003 views


Interview: Gail Needleman Gail Needleman teaches music at Holy Names University in Oakland, California. ... Read More 189012 views


Interview: Stephen De Staebler John Toki encouraged me to interview his old friend and mentor, sculptor Stephen ... Read More 150418 views


READ MORE >>