Eric Klatt, a long time Bay Area photographer, is happy to affirm the strong formalist bent in his approach to taking photographs. He can speak clearly about how his choices of formal elements are intended to function and, obviously, over the years, has thought carefully about this aspect of the photographic image. However, in a recent body of work shot on an extended visit to Vancouver, quite a different question arose, which propelled him out on long walks, over a period of several days, through some of that city’s neighborhoods, camera in hand.
What can be learned about people by simply looking carefully at their back yards? That was his question. Many Vancouver neighborhoods, he discovered, lent themselves wonderfully to exploring this question, with their wide alleys conveniently cutting through each block along the back yards of each property.
The original photos shown here are all in color. I sat down with Eric in his Oakland home and we went through dozens of shots from this series and finally settled on about eight, all of which held up easily with the color removed, evidence of his feeling for the formal construction of an image. Finally, I chose these four to publish. Are they better in black and white? That’s a tough call, but as far as I’m concerned, they’re great as they stand here.
What do they reveal about the people whose backyards these photos show? When I asked Klatt what he’d found out from his informal study, he came up with quite a number of interesting observations. But why not leave the question open? —RW
Richard Whittaker is the founding editor of works & conversations and West Coast editor of Parabola magazine
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On May 4, 2015 Jim Hirabayashi wrote:
The function of the photographed elements as I interpret it is containment and preservation but not merely storage. To me the backyards represent a hidden side of people an their lives. Each object from the oldest to the most recently added indicates a layered moments in life - once happening and significant, then eventually leaving a footprint or photographic negative of the past. They tell a story. The overgrown shows neglect or proof that the backyards were not currently necessary. It is mysterious as to what is contained behind the door.I lived in a house where the landlord had two rear garages full of once used and antique items. It was almost like museum in itself with juke boxes and other artifacts. This is what these photographs remind me of.
The shack with the letter "A" on the other hand reminds me of a prison or internment. Though a prison would be out of place on its own, the "A" delivers a feeling of being branded with a letter or symbol and something forgotten. The houses in the other photograph are also reminiscent of internment camps.